
Baroness are from the states, they’re southerners and they make this badass mix of southern rock and bruising volume with a healthy dose of chug-chug-chugging guitars. Apparently this is progressive sludge metal. Ignore the label, it’s really groove laden and if I was to describe it I would call it heavy, heavy (really fucking heavy) rock.
Blue Record has two great claims to fame:
1. It has one of the greatest ever song titles – “A Horse Called Golgotha”
2. It has one of the most high-octane, fist-pummelling, horse-hoof-pounding tracks of the year – “The Gnashing”. Admittedly this is a rubbish title, but I challenge anyone to listen to this and not get some sort of kick out of the way it builds and builds before unleashing two verses of shouted lyrics in a storm of full tilt guitars and crashing drums.
Actually, I’ve decided I really like Baroness. I like their heavy, loud, groove laden onslaught. Plus, the instrumental interludes on Blue Record, where melodic riffs are teased out for a minute or two, give you little breathers between the heavier songs. What can I say, It’s my first taste of metal and I’m surprised that it rocks so hard, that it’s so much fun and that I like it so much.
“All of your fears are well founded and true, all my hands are callous and cruel, all of my arrows that riddle you through are bullets that fire me back into you.” – The Gnashing (Baroness)


